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Jackson created the role of Chad on Broadway and helped make "All Shook Up" a Broadway success. Not Links of London before that, he was a young local actor wowing audiences at the CDA Summer Theatre. The point is, at this theater, national talent flows both ways. Even more impressive is the national-class stagecraft and show-biz savvy that brings all of this talent together in a polished, high-Links of London Scottie Charm and utterly professional production. Every number is loaded with energy, and a few, like the reprise of "Can't Help Falling In Love," would wake the dead. We have director Roger Welch, with his reliable theatrical instincts and decades of experience, to thank for that. However, in this case, all of that talent is put to the service of what I can only describe as a daring, yet strange, concept. Playwright Joe DiPietro has lifted some of the main comic-romantic themes of "Twelfth Night" -- a girl Links of London Big Rock 'Diamond' Ring Charm as a boy, a triple-marriage finale -- and used them as vehicles for delivering songs like "Jailhouse Rock," "Hound Dog" and "Blue Suede Shoes." Some songs are a little easier to fit in -- "Love Me Tender" and "It's Now or Never" -- but still, the whole idea ends up being exactly as bizarre as it sounds. Add a tacked-on theme of racial togetherness, complete with picket signs, and you have an odd Links of London Dome Jade Charm of the Bard and the Fonz.